#say what you will about filoni but to me this episode proved he actually gets the ethos at the core of star wars

[sticks-and-souls]

Anakin & Letting Go

I always found it to be a little skeptical that Anakin could become a force ghost after it took Yoda, Qui Gon, and Obi-Wan learning and training how to do it, and I always thought “really? Anakin? Finding that level of peace and letting go?” But after this episode, seeing the care and lesson that he imparts upon Ahsoka that he learned so painfully, I understand it from him so much better. Vader was so stuck in his complete self-hatred that he allowed nobody who had known him before as Anakin to reach him (most notably Obi-Wan and Ahsoka) because of the overwhelming extent of his shame. It took his son, who had never known him and yet who still stood before him and believed in him, loved him, sacrificed himself for him, to call Anakin back from the depths of Vader. And this Anakin, let everything go to save his son and to allow his son to save him.

And it felt so impactful to get to see this mature post-Vader Anakin reaching out to Ahsoka to teach her this very hard-earned lesson that he took the very hard road to get. Because she has Vader in her. She is everything Anakin taught her, and we saw the behaviors that led Anakin to becoming Vader—the fear of losing his most cherished relationships—reaching out of Anakin very early in the clone wars (and before) and the two of them are both very aware that he imparted those lessons on her. And then we've seen across this season—and overtly in her clone wars flashbacks—that she believes she is inextricable from these traits.

I’ve always loved Anakin as a fictional character, getting to see his earnestness, his flawedness, and his intensity (to borrow Huyang’s very accurate adjective), but this episode brought a level of humanity to him that has moved me so deeply. Life is HARD, loss gets forced on all of us no matter what, and the lessons that we learn through mistakes that we made can be extremely painful because acknowledging and taking responsibility for hurting people is actually really painful for humans (not owning up to our actions is the emotionally easier choice and George Lucas has stated time and again that the Dark Side is about taking the short-term easier choices). But it ultimately means that learning from your mistakes is an actual choice you have to MAKE. And this is the core of Anakin’s lesson. He is teaching Ahsoka that she has to choose which lessons he has taught her that she will live by, but more than that, that she is empowered to be able to choose. Yes, she has everything that he taught her—the good and the bad—but she is not condemned to live out all of the lessons. 

And the beauty of it isn't just the lesson, but that Anakin gets to be the one to teach it to her. The betrayal that she experienced in discovering his fall, the taintedness that she has been portraying that she feels about herself, gets specifically addressed because if he figured it out, then she definitely can too. If he is more than just Vader, then she is too. And THAT is what the "Is that what this is about?" line is actually about. It's so so important that we get to see pre-Vader, Vader, and post-Vader across her vision because the point is that yes, Vader is a part of him, and that brilliant shot of the two of them glaring Sith eyes across the blade at each other did it's job in conveying that Ahsoka is capable of that darkness too, but you are not only the darkness. You get to choose. ("You're more than [death and destruction] because I'm more than that"). And more to the point, you have to choose. Because if you don't specifically choose to fight the dark, then you're ultimately choosing to fall into it. "Fight or die."

So for Anakin to be able to reach out to her one more time, to be able to love her the way he, as Vader, had refused to the last time when they met on Malachor, and to open with “you’re never too old to learn”, because god if he didn’t learn that the hard way too. And to be able to pass on to Ahsoka how to actually let go because he himself had only just finally been able to learn it as well, feels so powerful and poignant.

And that look of pride and wistful sadness that he gives her at the end? That both she and Luke were able to learn so quickly what took him so long? And that maybe, he may have helped save her from the worst traits that he imbued upon her? That’s him having let go of his own shame. He feels grief, he feels guilt—we can see it on his face—but what has happened has happened and he has accepted that, and finally learned that letting go doesn't mean it didn't happen, it means it doesn't have to define your actions going forward.

And finally, it’s also him letting go of ahsoka. By teaching her that she will choose her destiny, he has to accept that he cannot control it either. And he has. “There’s hope for you yet.” 

So yeah, Anakin learned to let go, and getting to see him here, in this headspace of acceptance and peace, practicing and understanding what it means to be a Jedi, was so unexpectedly cathartic and revelatory for me as viewer. 

[gffa]

What do you do when you start hating/gets annoyed with a character that you previously liked/was cool about bc of bad or "i personally don't like it" writing? I loved the mandalorian, but since the slight at the jedi in that random episode in the middle of tbobf i'm so bitter about him, i can logically reason with myself that he's being kinda prejudiced since he doesn't know shit about jedi but i just can't get over it and i feel stupid tbh. That's also happening with ahsoka and i'm sad about it

It can be hard to get over a character bashing other faves or when they’re used as a weapon against your other faves and I don’t have a perfect answer, I still have to work at it and I can’t always get over it. But a few things help me: - I have friends who like those characters, like Din or Ahsoka or Qui-Gon, and they also like the Jedi at the same time.  I think of their affection for those characters and I want to be on their side, I want to share in that joy, so I determinedly look at the bad writing as “how dare you do this to my friend’s Blorbo!” and focus back on the things that they love about those characters. - I stop and think about:  What do I really want out of my experience in Star Wars fandom?  Sure, I get mad about Felony’s writing sometimes or I get mad at how people try to use Qui-Gon as a weapon against the other Jedi, but then I try to take a step back and ask myself if I really need the whole of fandom to be my playground.  Hell, do I even need the newer content to be my playground all of the time? And the answer is that I don’t.  I have the movies and TCW.  I have my group of people who like the same things I like and enjoy the characters in a fun way.  In five or ten years, when I look back on my time in this fandom, I want that to be what I experienced.  Because when I look back at my fandoms from 10 years ago--that’s what I remember.  Hanging out with funny people in our little corner of the fandom.  I don’t remember the vast majority of dumb things people said or the things that annoyed me about the writing, I remember chatting with people about character interpretation or what if ideas. The entirety of Star Wars doesn’t have to be for me.  I can just mentally snip out the parts I don’t feel like dealing with, nobody can stop me from going, “Felony has to prove himself to me with each episode and he failed on that one, so NOPE bye bye to that dumbass interpretation.” - Fake it until you make it.  We’re all human, we all have our salt days, we all get annoyed by stuff, but the more we focus on those parts, the bigger they loom in our minds.  I find that it actually genuinely does help to just say nice things about the character!  I find myself annoyed by how fandom uses Ahsoka as a weapon against the Jedi sometimes, I find myself salty every time I try to talk about Filoni’s writing of her, so when I got a lovely ask about her relationship with Obi-Wan in season 7, I decided I was determinedly going to talk about her with as much sympathy as I could.  And you know what?  By the time I was halfway through that, ruthlessly snipping out any parts where I started to get salty about her or complain about her writing, I was back on the Ahsoka Affection Train! Writing something that is purely affectionate about those characters can genuinely help.  All you need from fandom is the corner of people you surround yourself with, and if you’re surrounding yourself with people who love Din or Ahsoka or Qui-Gon and who love the Jedi--that’s what the Star Wars fandom experience is.  You don’t have to “win” at the source material or anything, all you gotta do is “win” at fandom, and you can do that by building the space you want around you and just going, “Nah.” to the rest of it!

[authortobenamedlater]

Posting this now in case the finale proves me right or wrong. 😂 These rambles brought to you by way too much time waiting for my grocery pickup order.

Here are some reasons I think Halo MIGHT go for the Demon Spawn (as I’m calling it) angle next season:

It would up the ante for John and Makee. Not only are they dealing with each other and being on opposite sides of a war, now they are trying to save THEIR CHILD. The child both of them desperately love and desperately want to keep safe. Does this child unite them? Divide them? Both depending on the day? What would be the Covenant’s plans for the offspring of their Blessed One and the biggest thorn in their side? How far will John and Makee go to save their baby from each other?

Men in armor and helmets tearing the galaxy apart to save their kids are hot stuff in sci-fi at the moment.

Makee would have to reckon with her view of humans when she realizes that view would apply to her own kid. She would also have to reckon with her loyalty to the Covenant when she sees that their intentions for her child might not be the best, cause we know they won’t be.

John is good with children. We see this with Kwan, admittedly not done very well, but we still see it. Kessler takes a liking to him and even in his awkward and stiff way, John reciprocates. The show has gone out of its way, particularly in the last few episodes, to demonstrate that while Master Chief is a human wrecking ball, John is gentle and kind.

It would at least make The Scene a relevant plot device.

The biggie: In another life, John would have wanted his own family. When he meets Soren’s wife and kid, and then goes into his own childhood home and sees memories of parents who loved him, you have to think John started wondering if that could have been his. If he would have had a “normal” life with a wife and kids and a dog had Halsey never taken him (I touched on this in Choose You This Day).

The bigger biggie: The Halo showrunners do not seem to care who they piss off. In fact, I’d wager they enjoy subverting audience expectations. It’s like they all sat around a table and said “Hey. This show is going to draw a lot of ire so LET’S JUST GO FOR IT.” The Master Chief lost his helmet in E1 and his virginity in E8. Would Baby Chief really be out of the realm of possibility? Do we put anything past this show anymore? I don’t.

Before you all come for me with pitchforks and torches: I do not think this would be a good idea. I really, really do not want the show to go here. I’ll read a million fanfics about Daddy Chief. I might even write a few of them. But this is one of those tropes that makes great fanfiction and lousy source material. Unless you’re Jon Favreau and Dave Filoni, and Halo’s production team has painfully demonstrated that they are not.

This brings me to my final point, why Halo won’t/shouldn’t go with this idea: It makes absolutely no sense that the Spartans would not have been sterilized.

Halsey planned the abduction, replacement, and memory wipes of 100+ children. She planned their enhancements and training. She managed to cover her tracks for 30+ years. Do we really think she would overlook assuring that they wouldn’t get up to extracurricular activities and possibly throw a monkey wrench in the whole thing?

In fact, there’s some evidence that the Spartans WERE sterilized. John says he “thought it was impossible” upon meeting Soren’s son. But Soren DOES have a son. Maybe Kessler was a miracle baby? Hey, vasectomy babies happen. Maybe whatever 26th-century sterilization method they have is reversible. But would John know that? Would he even think of it? Maybe he went into his thing with Makee thinking they were protected and Baby Chief is another miracle baby. By John’s own admission, he should not be able to have children, so if he does the show needs to explain it.

Buuuuut. Halo has surprised me enough that if they did decide to go this way, I think they might actually swing it. Or, it would be a total glorious dumpster fire that we all just can’t stop watching.

[clonewarsarchives]

THE PERILS OF PADMÉ (#116, APR 2010)

Actress Catherine Taber’s role as Padmé Amidala in Star Wars: The Clone Wars has proved a huge hit with fans. James Burns met the most glamorous senator in the galaxy!

Star Wars Insider: How did you approach playing such a well-established character?

Catherine Taber: We tried to use what was already there [in the films], which I think is important when you’re doing anything like Star Wars. Dave [Filoni, The Clone Wars supervising director] is really cool about letting me take my version of Padmé into new situations, so we understand who she is. We honor the film version of Padmé on the show, but I try to portray her as I believe she is.

How do you like working with Matt Lanter [Anakin Skywalked and James Arnold Taylor [Obi-Wan Kenobi]?

I’m quite good friends with James, so it’s great fun to work with him. With Matt, the fans have said that they’ve been enjoying the chemistry between Anakin and Padmé. That just comes naturally to us. We have great banter and we try to make it an authentic love relationship so that you get to see these people having the same issues that real couples do. Getting to know Matt and James more, I feel a bond with them like Padmé does with Obi-Wan and Anakin in the films.

You provided the voice for Princess Leia in Star Wars: The Force Unleashed. How did that come about?

It was during the making of the first season of The Clone Wars and it didn’t have anything to do with the show. LucasArts knows me because I’ve done some voice work for them. In fact, Mission Vao [in Star Wars: Knights of the Old Republic] was my first voice-over job. I really enjoy working with those guys. They knew me as an actress and they came to me with the part of Leia. She didn’t have a big part in the game, but she was pivotal and I think they were having a hard time finding an actress who understood who Leia is. Finally they just called my agent and asked me to read for it. They were initially concerned because I’d played Mission Vao and they didn’t want it to be the same character.

We worked to try to honor what Carrie Fisher did at the beginning of A New Hope, because I would actually be playing Leia before that. She had that distinctive accent and was definitely a child immersed in a political situation. She also had a lot of decorum and we wanted to show that, so I watched her performance a lot.

Do you have any plans to work with LucasArts again?

There might be more someday.

Do you have a favorite Padmé scene?

I love the scene with Jar Jar and the battle droid from “Bombad Jedi” because I think that it’s hysterical. It’s classic Star Wars humor. I love the moment in “Destroy Malevolence” when I say, “He’s probably late again” because I often feel that way in real life! Anytime I have a scene with Anakin it’s a lot of fun. There was a moment, I think it was in “Destroy Malevolence” too, where it’s me with Obi-Wan and Anakin and it had that full-on old school Star Wars feel. I got to man the gunship! I would love to see more of that.

Which have been your favorite episodes so far?

“Rookies”—I think everybody loved “Rookies.” I have a soft spot for soldiers in general and in “Rookies” Dee [Bradley Baker] gives such heart to the clones that I just absolutely adored it.

I loved “Innocents of Ryloth.” I played Numa, and when I read Henry Gilroy’s script, I was actually teary, and I’m not a big crier. I also love “Senate Spy.” I know the actor who plays Clovis, Robin Atkin Downes. He has voiced a ton of game characters as well. In our scenes together it felt like I was doing a live-action show.

There was a lot of tension with Anakin in that episode.

I loved seeing that and it was important for us to start to see those glimpses of Anakin, because you don’t want it to just happen in one day. I thought it was really accurate regarding how a guy would feel in those circumstances and also really accurate regarding what’s going to happen to Anakin in the future.

How does it feel to be part of a great onscreen romance?

I’m a really lucky girl, what can I say? I think all of us are so close to each other and so proud of each other.

The cool thing about Matt is that he’s not just a pretty face; he’s an amazing actor. As Anakin, he has that sense of cockiness and confidence, but without a solid performance behind that, it wouldn’t work. Matt brings that and it’s not bad having him standing next to me during a romantic scene!

[dindjarindiaries]

10 Underrated Quotes from Season 2 of The Mandalorian

As previously seen with season one, I’m here with another list of underrated quotes from The Mandalorian—this time, from season two. I’m going to highlight some of my favorite quotes from the season or quotes that stick out to me and why I think they’re noteworthy.

I don’t own any rights to content from The Mandalorian and, if you haven’t watched season two yet, potential spoilers are ahead!

1. “Pay attention when a superior addresses you.” (Chapter 15: The Believer)

While this scene certainly isn’t underrated, I believe this line spoken by Valin Hess when he finally catches Din Djarin’s attention by the Imperial terminal deserves some reflection. It’s interesting to think about how responding to Hess’ first call of “Trooper” is something Djarin just... wouldn’t think to do, or is something he thought he could get away with. It seems that Mandalorians, while they value their leadership, don’t focus on hierarchical structures in their society, so Djarin isn’t used to having to obey orders like that. It’s even worse that he has to deal with this unfamiliar situation without his helmet for the first time since he was a child. It really draws our attention to how little Djarin knows about the Empire and other organizations outside of his covert.

2. “This is the Way.” (Chapter 11: The Heiress)

I think many of us can agree that the first time this statement is uttered in this episode, we’re less than pleased about it, thanks to Bo-Katan’s ridiculing tone. When it happens later on, however, there’s so much meaning packed behind the words. First, from Bo-Katan, who has witnessed Mando’s bravery firsthand and has likely realized how wrong she was making assumptions about him based off his covert and his traditions. In return, Mando’s response of the phrase is strained. Why? Well, it’s up to interpretation—but to me, I think it’s because Mando’s in awe of the idea of these Mandalorians who have already proven their abilities to him actually coming to respect him and the Way he’s known ever since he was a child. It was a great moment of reconciliation.

3. “Is he speaking? Do you... understand him?” (Chapter 13: The Jedi)

Something I love about this line in particular is the way it’s delivered. There’s such desperation concealed behind Mando’s modulator that tells us so much about what he’s been thinking while pacing the forest floor nervously. This desperation also tells us how eager he’s been to communicate with his child. Mando and Grogu have been together for a long time, now, and we know they’ve had plenty of one-sided conversations. I’m sure Mando has longed to know what Grogu’s been thinking in return, and now that he might have an opportunity to, we can really hear that sheer curiosity and desperation in his voice with this line he offers to Ahsoka.

4. “Jet back, you’re faster that way.” (Chapter 12: The Siege)

I’m sure we all have our mixed opinions about the season one Nevarro crew, but this moment in particular really strikes the depth of their friendship and companionship. Once they’ve all heard about Moff Gideon’s return and his request to get the child once again, there’s no doubt in anyone’s minds that Mando wouldn’t be going back for him immediately. Even though the job isn’t completely done and Greef, Cara, and Mythrol all still need a way out, they don’t even try to ask for Mando’s help. Instead, Cara insists that he gets back as fast as he can, even if that means the three of them don’t make it out themselves. I really love how that shared understanding and dedication to the child in all situations shows their deep friendship amongst the trio (and Mythrol).

5. “I’ve spent much time on Tatooine. I never saw a Mandalorian there.” (Chapter 9: The Marshal)

Mando’s response to Gor Karesh insisting that he knows of a Mandalorian on Tatooine could potentially be telling us more than we’re aware of. As far as we know, Mando’s only been to Tatooine once—and it was only for two days, tops. But here, he’s saying he’s “spent much time” there, which means it’s possible that Mando lived on Tatooine for a time while the Bounty Hunter’s Guild still operated out of there. If you think about it more, Mando knew exactly where to go for some work in Chapter 5, another hint that there’s more to Mando’s time on Tatooine than we’re aware of. The same thing could be said about his knowledge of Tusken and his friendship with the Sand People. Any time we get a potential hint of Mando’s backstory, I’m excited about it!

6. “Am I under arrest?” (Chapter 10: The Passenger)

This line comes quickly in the midst of Mando’s conversation with the New Republic pilots in Chapter 10, but I really love it. These few words say a lot about Mando’s character and how he responds to praise. He’s just been told all about his heroics in Chapter 6, when he risked his own life for Lieutenant Davan and reprimanded Mayfeld, Xi’an, and Burg—and when asked whether it was true, Mando offers no confirmation. He doesn’t even own up to his good acts. Instead, he simply acts this question, remaining the practical man we know him to be. This truly shows us the humble nature of Mando and how he tries his best to focus on the present rather than dwelling on things he’s done in the past, good or bad.

7. “... talent without training is nothing.” (Chapter 16: The Rescue)

On the surface, this seems like a very practical statement that many Jedi make throughout the series (see Ahsoka talking to Mando in Chapter 13 and Obi-Wan talking to Luke in Episode IV: A New Hope). When you think about it more, especially in context, you might be able to see Luke hinting at something much deeper. Luke heard Grogu’s cry for help from the Seeing Stone where it’s very possible Grogu was talking about his desire to protect his father by strengthening his abilities. Luke knows all too well what happens when you abandon training in an attempt to protect those you love—as for him, it didn’t go well. Yoda tried to warn him but he didn’t listen. Now that he’s learned his lesson, Luke can offer this wisdom to a Grogu who wants to keep his father safe. He knows that training first will then allow Grogu to protect himself and his father to his heart’s content, just as Luke was better able to protect his friends in Episode VI after he finished his training.

8. “Okay, I’m gonna protect you.” (Chapter 14: The Tragedy)

The scene in which this line is delivered is what truly establishes this episode as a tragedy. Mando’s tried three times to break through Grogu’s Force-field—not because he wasn’t thinking, but because he was so desperate—and now he has to come to terms with the fact that he’ll only hurt himself more if he keeps trying it again and again. Mando’s voice is pretty shaky if you listen to it closely enough in these lines, reluctant to leave his child atop the mountain alone but eager to protect him somehow. We know Mando doesn’t like to feel helpless, but we can sense he feels that way in this moment. He doesn’t even know if Grogu can hear him, yet he keeps speaking to him with such fierce protectiveness and reassurance. This is a promise he doesn’t fall through with, even if Grogu does fall into the Imperials’ hands for a time.

9. “Give it to me.” (Chapter 15: The Believer)

This is the moment where we all really knew what was about to go down. What I love about this quote is that Mando says it with no remorse. He says it firmly, insisting upon doing whatever it takes to get those coordinates and get to Grogu. He’s already made up his mind. Despite the fact he gave his word earlier about not showing his face, Mando’s going to do what he has to for his son. The firm way this line is delivered proves that, especially when he shifts from taking a backseat to Mayfeld to taking charge again as he pulls the data stick right from Mayfeld’s grip. I just really love Mando’s determination in this scene, despite the circumstances.

10. “I’ll see you again. I promise.” (Chapter 16: The Rescue)

Do I particularly think this line is underrated? No, not the direct meaning of it. But when you watch Star Wars Rebels and think more about the genius of Dave Filoni, there’s a whole new layer of meaning attached to these words. For those who may not have watched the show yet (you definitely should!), Kanan and Hera are two people who care very much for each other (wink wink) who once had to exchange a goodbye very similar to Mando and Grogu. Kanan was about to go on a very dangerous mission without Hera, unsure of what would happen to him, when he delivered these words: “We’ll see each other again. I promise.” This is almost exactly what Mando says to Grogu in the face of their temporary separation. The good news is Kanan and Hera did get to see each other again—but Kanan was changed forever. Will this happen with Mando or Grogu? It’s possible. But it’s just another one of those moments that makes me yell “FILONI!” in Darth Maul style.

[padawanlost]

What was your take on Dave Filoni's speech on the Duel of Fates & Qui-Got Jinn?

I’m surprised people were shocked by that. I mean, he didn’t say anything new. 

His take is the same take that has been explored since TPM came out. I don’t know if people shocked by it are new fans who weren’t around when the movies came out or didn’t have access to the interviews/EU or of if they are in deep denial about the characters portrayed on screen.

“What’s at stake is really how Anakin’s going to turn out, because Qui-Gon is different than the rest of the Jedi.”

FACT since 1999. We know Qui-Gon was a ‘rebel’ since TPM came out. He’s even known as a ‘maverick jedi’ for that very reason, with multiple novels and comics exploring that side of him. Hell, he was Dooku’s apprentice, a guy known for being one of the Council’s biggest critics even when he was still a Jedi Master.

“Obi-wan:  Do not defy the council, Master, not again. Qui-Gon: I shall do what I must, Obi-Wan. Obi-wan:  If you would just follow the code, you would be on the council.” The Phantom Menace, 1999.

You get that in the movie, and Qui-Gon is fighting because he knows that he’s the father that Anakin needs, because Qui-Gon hasn’t given up on the fact that Jedi are supposed to care and love and that that’s not a bad thing. 

FACT since 1999. 

He was angry that the Jedi Master would dismiss him so abruptly in favor of the boy, but he realized, too, the depth of Qui-Gon’s passion when he believed in something. Training this boy to be a Jedi was a cause Qui-Gon championed as he had championed no other in Obi-Wan’s memory. He did not do so to slight his protégé. He did so because he believed in the boy’s destiny. Obi-Wan understood. Who could say? Perhaps this time Qui-Gon was right. Perhaps Anakin Skywalker’s training was a cause worth fighting for. [Terry Brooks. The Phantom Menace – published in 2000]

That Filoni himself reinforces in 2013 during an interview about TCW’s season 5: “I’ve always felt that one of Anakin’s downfalls, like it’s never that Anakin was innately going to be evil, but the people around him, the Jedi, in their lack of compassion, in being so selfless that they almost forgot to care.” Dave Filoni

The rest of the Jedi are so detached and they’ve become so political that they’ve really lost their way and Yoda starts to see that in the second film. But, Qui-Gon is ahead of them all and that’s why he’s not part of the council, so he’s fighting for Anakin. 

FACT since 1999. 

“With Episode I, I didn’t want to tell a limited story. I had to go into the politics and the bigger issues of the Republic and that sort of thing. I had to go into bigger issues.” George Lucas

In The Phantom Menace one of the Jedi Council already knows the balance of The Force is starting to slip, and will slip further. It is obvious to this person that The Sith are going to destroy this balance. On the other hand a prediction which is referred to states someone will replace the balance in the future. At the right time a balance may again be created, but presently it is being eroded by dark forces. All of this shall be explained in Episode 2, so I can’t say any more!- CUT interview 09/07/99?

“The first film starts with the last age of the Republic; which is it’s getting tired, old, it’s getting corrupt. There’s the rise of the Sith, who are now becoming a force, and in the backdrop of this you have Anakin Skywalker: a young boy who’s destined to be a very significant player in bringing balance back to the Force and the Republic. George Lucas - from the American ANH VHS tape in the making of Episode II in the 2000 release.

[The Jedi] sort of persuade people into doing the right thing but their job really isn’t to go around fighting people yet there are now used as generals and they are fighting a war and they are doing something they really weren’t meant to do.They are being corrupted by this war, by being forced to be generals instead of peacemakers. – George Lucas for E! Behind the Scenes - Star Wars Episode III Revenge of the Sith

That’s one of the few times in history when the bad guys were very clearly delineated for us. There really was a fight for survival going on between pretty clearly good guys and bad guys. The story being told in Star Wars is a classic one. Every few hundred years, the story is retold because we have a tendency to do the same things over and over again. Power corrupts, and when you’re in charge, you start doing things that you think are right, but they’re actually not. . – George Lucas

That’s why it’s the duel of the fates, it’s the fate of this child and depending on how this fight goes, Anakin, his life is going to be dramatically different. 

If good and evil are mixed things become blurred - there is nothing between good and evil, everything is grey. In each of us we have balanced these emotions, and in the Star Wars saga the most important point is balance, balance between everything. It is dangerous to lose this. – George Lucas

"So, Qui-Gon loses, of course, so the father figure, he knew what it meant to take this kid away from his mother when he had an attachment and he’s left with Obi-Wan. Obi-Wan trains Anakin at first out of a promise he made to Qui-Gon, not because he cares about him. Obi-Wan trains Anakin at first out of a promise he makes to Qui-Gon, not because he cares about him.

FACT since 1999. We literally see this in the movie.

He stopped his pacing and stared momentarily at nothing, thinking of Qui-Gon Jinn, his Master, his teacher, his friend. He had failed Qui-Gon in life. But he would carry on his work now, honoring him in death by fulfilling his promise to train the boy, no matter what. [Terry Brooks. The Phantom Menace]

When they find Anakin on Tatooine, he says, “I feel like we’ve found another useless lifeform.” He’s comparing Anakin to Jar Jar. And he’s saying, “This is a waste of time. Why are we doing this? Why do you see importance in these creature like Jar Jar Binks and this 10 year old boy? This is useless.”

FACT since 1999.

So he’s a brother to Anakin, eventually, but he’s not a father figure.  

“He is like my brother. I cannot do it.” Obi-wan Kenobi in Revenge of the Sith.

This, then, is Obi-Wan and Anakin: They are closer than friends. Closer than brothers. Though Obi-Wan is sixteen standard years Anakin’s elder, they have become men together. Neither can imagine life without the other. The war has forged their two lives into one.  [Matthew Stover. Revenge of the Sith]

[With Ahsoka] I wanted to develop a character who would help Anakin settle down. He's a wild child after [Attack of the Clones]. He and Obi Wan don't get along. So we wanted to look at how Anakin and Ahsoka become friends, partners, a team. When you become a parent or you become a teacher you have to become more respnsible. I wanted to force Anakin into that role of responsibility, into that juxtaposition. I have a couple of daughters so I have experience with that situation. I said instead of a guy let's make her a girl. Teenage girls are just as hard to deal with as teenage boys are. - George Lucas

That’s a failing for Anakin, he doesn’t have the family that he needs. He loses his mother in the next film. He fails on this promise that he made to his mother that 'I will come back and save you.' So he’s left completely vulnerable and Star Wars is ultimately about family.

FACT since 2002.

“Love people. That’s basically all Star Wars is.” — George Lucas

So, that moment in that movie, which a lot of people diminish as a cool lightsaber fight, but it’s everything that the entire three films in the prequels hangs on, is that one particular fight and Maul serves his purpose and at that point died before George brought him back.But he died, showing you how the Emperor is completely self-serving. He doesn’t care, he’s using people and now he’s gonna use this child.

FACT since 1999.

Each Sith has an apprentice, but the problem was, each Sith Lord got to be powerful. And the Sith Lords would try to kill each other because they all wanted to be the most powerful. So in the end they killed each other off, and there wasn’t anything left. So the idea is that when you have a Sith Lord, and he has an apprentice, the apprentice is always trying to recruit somebody to join him — because he’s not strong enough, usually — so that he can kill his master. That’s why I call it a Rule of Two — there’s only two Sith Lords. There can’t be any more because they kill each other. They’re not smart enough to realize that if they do that, they’re going to wipe themselves out. Which is exactly what they did.” George Lucas

Everything that Filoni said has been part of the lore and movies for 20 years now, so I really don’t get why people are so shocked by it. Also, context people! People have been using Disney canon to ‘prove’ Filoni wrong but these movies and the clone wars were written with long before Disney came into play. Filoni, like so many of us, grew up with Star Wars belonging to George and that colors how he look at the franchise and the characters. And don’t get me started on the ‘the EU doesn’t matter’ argument because it absolutely does. 

“And then George Lucas tells me one day, ‘We’re gonna put the Mandalorians in the Clone Wars.'  And I go 'Oh boy. That’s interesting. Cuz, lemme show you this.'  And I move this big pile of material over and I said 'This is everything. This is everything that the Mandalorians are right now.’ And so George and I do what we always do when we come across something that I know exists well in the EU, we go over it all.“ Now, all the history of Mandalore you prior to The Clone Wars it does exists. It absolutely exists.” — Dave Filoni

There’s actual behind the scenes footage of Filoni and George Lucas working on The Clone Wars and checking the EU to keep everything as cohesive as possible. The guy literately had thousands of conversations with George Lucas – the guy who actually created Star Wars – about these characters but somehow people are now trashing him because he said they should’ve know already?

Look, anyone who knows me know I’m not a Filoni stan but I believe in respecting people’s work and giving credit where credit is due even when I don’t agree with them 100%. If they don’t like his take, fine, that’s their right but please tone down the outrage fest because it’s entirely unjustified (and, to be completely honest, a little desperate for validation). He’s an actual person, not a fictional character there for you to hate or stan.

There’s a lot I don’t agree with it in this life but I don’t go around attacking real people and their jobs. But maybe we shouldn’t be so surprised, considering the people going after Filoni are the same people who have not problem whatsoever with star wars authors receiving death and rape threats.

[kylermalloy]

my Thoughts on rebels

Now I don’t have any hot takes or any controversial opinions to put out here. Rebels is a simple show with a simple plot. There’s not a whole lot to analyze, but that doesn’t mean there’s nothing to enjoy. Sometimes all you need is a straightforward concept with lovable characters. So let me proceed to squeal about Dave Filoni’s second masterpiece, Rebels.

Spoilers abound!

Before I say anything else...

THEY HAD A BABY I haven’t stopped squealing.

Zeb Okay I’ll start with Zeb, for no particular reason. He was the only main character I hadn’t really heard about or seen much of before I started watching. In the first few scenes with him, I was afraid he’d become his stereotype—the thuggish gorilla who argues all the time, disobeys orders, messes up plans, and borderline betrays his friends. I was so pleasantly surprised when none of that happened. Maybe by virtue of being a kids’ show, these characters don’t have *edgy* or twisted nuances. Zeb is fiercely loyal. He likes smashing heads in and gets grumbly sometimes, but he’s never a hindrance. He’s not just “the muscle”; his ingenuity saves the day on more than one occasion. If anything, his nuances take him the other way—he’s incredibly sensitive and childlike in some ways. Being one of the last of his kind is a major plot point of several episodes, which brings so much depth to him and his psyche. It also informs SO MUCH on his relationship with Kallus. Speaking of...

Kallus I never, ever expected Kallus to be anything more than a season-long plot device. The fact that he stuck around and went through actual character development?? Amazing. The episode where he and Zeb are stranded together is gold. He’s got a sense of honor even as he works for the Empire, sparing the rebels as Zeb spared him. He develops a new set of ideals thanks to our heroes, and he begins to question and regret the things he’s done for the Empire—ethnic cleansing of Zeb’s Lasat people included. And that last scene of them in the epilogue? I’m not gonna lie, it was a bit shippy.

KANERA I know while the show was airing, fans were constantly asking when Kanan and Hera were going to get together. But for me, they seemed to be married from the first episode. Hera calling Kanan “love” and teasing him? Kanan constantly worrying after Hera while simultaneously believing in her ability to do...absolutely everything? Their parenting of Ezra, Sabine, Chopper, and even Zeb? Explicitly referring to them as “the kids” and themselves as “Mom and Dad”? Yeah, they’re married. And let’s not underplay their strengths as individual characters. Kanan—or Caleb—is exactly what you would expect of a Jedi whose training is only halfway complete. He’s cool and awesome, but also riddled with self-doubt and uncertainty. And Hera is the mature voice of reason this merry band of children so desperately needs—except of course when she’s the one rushing headlong into danger, whether to get a fighter prototype or to steal a family heirloom or to save a couple pilots in a suicidally risky move. She’s a perfect blend of mature reason and headstrong determination that makes a true rebel. (Wait a minute...she’s totally Katara! Maybe that’s why I love her so much.)

Now back to them as a couple! Most of the show did nothing to advance their relationship—further reinforcing my headcanon that things were always happening between them behind the scenes. Even though they became official canon in the last season, the appearance of their kid in the epilogue proves I was right—based only on what we saw, there was no time for them to make a baby. Of COURSE there were things going on behind the scenes. 😏 (I found the interview that explains exactly where Jacen came from, and I was equal parts ecstatic and freaked out.)

Did I mention THEY HAD A BABY???

Ezra So apparently there are people in the Star Wars fandom who hate Ezra? I guess I shouldn’t be surprised; Star Wars fans hate everything. Except the OT. If you hate the OT you’re a heathen. I can’t really think of a solid reason why people hate Ezra, except for the fact that he seems to be a Luke Skywalker analog. He’s a poor kid with Force sensitivities who gets adopted by a Jedi and becomes a venerated leader of the Rebellion. He also finds an oddball group of friends he comes to call family but eventually bids them farewell after the death of his mentor. They’re not carbon copies, of course—Luke’s an optimistic idealist; Ezra’s a cynic. Luke whines; Ezra snarks. Luke blows up the Death Star and defeats Vader; Ezra completes a series of far more complicated missions and defeats Inquisitors and Thrawn. Again by virtue of him being the star of a tv show instead of just three feature length movies, he gets a lot more time to have his adventures. Maybe there’s some resentment over him getting more screentime than Luke? Maybe it’s because I’m just Not a Luke Skywalker stan. I like him fine, but I don’t hold him up as some perfect saintlike hero. (I didn’t have any problems with his TLJ characterization.) The people who do need to rewatch the OT they hold so dear. Luke’s a beautiful drama queen and you all should love him for that. But I’m here to talk about Ezra! Listen, this child is a disaster and a half—just like Luke, just like Anakin, just like young Obi-Wan. There is nothing to not like about him—except that he reminds you of your favorite characters but he’s not them.

Clone Wars characters I initially started watching this show solely for the characters I already knew from Clone Wars. Ahsoka Tano has been my girl ever since I started watching Clone Wars, and I didn’t even consider watching Rebels until I knew they had undone her death. (If there was just ONE character they could needlessly save via time travel, they picked the right one.) At any rate, she’s perfect in this show. She’s more grown-up, more mature, but still retains that *young and plucky* spirit. (For the record, I usually hate the *plucky* characters. Somehow, she works for me. Maybe it’s because she doesn’t really do that annoying cocky smirk thing.)

But it’s not just Ahsoka. Rex survived! I’m so glad at least one clone (two? Wolffe?) made it out of the war okay. And he’s great here. His constant snarking with Kanan reminded me so much of his banter with Anakin (and I’m sure it reminded him of that too ;-; ) His presence on Rebels isn’t strictly necessary, narratively speaking, but it’s just a nice tie-in to the world we got used to in Clone Wars. It reminds us that this world with the Empire was once the world of the Republic, and there are still clones out there—even if there’s no place for them in this new order. This of course reinforces the tragic narrative of clones as sentient beings created for nothing but combat. And again, I commend both shows for making me feel that narrative so deeply!

Hondo and Maul were two of my favorite antagonists from Clone Wars, so seeing their multiple appearances here filled me with joy. Hondo cracked me up, as usual, and Maul’s farewell was touching and heartbreaking. I almost wish he were still around! There’s still his duel with Ahsoka in season 7 of Clone Wars... 👀 Honestly what surprised me most about those two were the way they were both presented as protagonists. Hondo especially, and Maul does become an antagonist again. But it really speaks to the way all paradigms in the galaxy have shifted after the Republic became the Empire. In Clone Wars, Hondo was portrayed as an annoying hindrance to our heroes. Now with the Empire as an adversary to our main characters, Hondo is an ally. An untrustworthy one of course, mostly in it for the money, but his interests usually lie with helping our heroes, not hurting them. Besides, nothing tops his relationship with Ezra. Their first meeting had me in fits: “You lied to me?? I KNEW I liked you!” (Also I forgot to mention the running gag of Ezra introducing himself as Jabba the Hutt? Genius. And hilarious, since some people actually believe him at first)

THEY HAD A BABY!!!

Thrawn I need to see this guy again. Whether in a continuation where we learn what happened to him and Ezra, or some other moment in time where we see him younger, rising through the ranks of the Empire full of ambition and ideas. He’s quietly menacing, always confident and meticulous. He does a great job of making the rebels feel helpless in their fight, needling their pressure points and taunting them—but he never makes the conflict personal to him. He always remains detached, just a guy doing his duty. He’s just there to pick up interesting art pieces. I love the way he’s acted—always quiet, cultured, practically whispering. I didn’t know he was voiced by Lars Mikkelson until after I watched, but that was a perfect choice. I found the Inquisitors a little flat as villains (antagonists, whatever) and the other Empire ministers and governors not very threatening. Thrawn was the perfect balance (lol) between interesting and a genuine threat.

MANDALORE For all of Sabine’s merits as a character, I love her most in the Mandalorian arcs. The episode where she comes into her power and wields the darksaber is one of my favorites. She’s not a traditional stern, stoic Mandalorian character. She’s a free spirit, incredibly creative and intellectual. Yet she’s also afraid of her mind and what she could create—for years she created weapons for the Empire to feed her hubris. Maybe that’s why she mainly sticks to painting throughout the series. :) Anyway. I look forward to the follow-up detailing her adventures with Ahsoka.

Chopper I rolled my eyes so hard when I first saw Chopper. Everything from his name to his design screamed “kiddie version of R2D2” and I was fully prepared to hate him. I don’t. He’s just like R2, in that every sentence he says sounds like it’s punctuated with about ten different swearwords. It’s hilarious seeing such a cute character being so surly and even threatening on occasions! Chopper kicks some serious butt. He even comes with a tragic backstory!

Lastly, I don’t think I’ve mentioned...

THEY HAD A BABY AND HE’S ADORABLE

[jayne-hecate-writer]

The Mandalorian... In Lego form

What can I add to the praise about the Disney Plus series, The Mandalorian, that has not already been said?

Yes, it is really very good, I was captivated within the first minute and was heart broken during the third episode, entitled The Sin, when the Mandalorian handed over the child to the Imperial officer, played so beautifully by Werner Herzog. Of them all, it is probably episodes three and four that are my favourites, showing the more gentle side to the character. But let us be honest, when choosing favourite episodes of this series, we the viewer have been rather spoilt because there is not a dud among them. Not even the sixth episode, which was a heist story and could easily have been done rather badly, but wasn’t and even included a fabulously dry Dave Filoni cameo as a New Republic pilot. No, not a single missed beat, bad line or failed joke throughout series one.

This is not to say that it does not have its cold brutal moments though, the Quarren being bisected in the first episode was utterly shocking, you even hear his legs heit the floor! Encasing the good natured Mythol in carbonite was really mean. Yet, they saved the humour of child abuse right up until the end and the speeder scouts indifference in violently handling the child. These moments of suffering are balanced so perfectly with real heart and leave a lump in the throat, even when dealing with an assassin droid walking into a lava flow. Terminator eat your heart out!

So, it must be time to combine some of the biggest loves of my rather childish, adult life into one hobby, namely my love of Star Wars and my love of Lego. With every new franchise released under the Star Wars banner, Lego get good dibs on making tie in sets. With the release of the Mandalorian, the Lego sets have been exceptional and if you have not yet seen them, you should go and have a look at the Brickset page.

The first set, number 75254 or AT-ST Raider is a glorious reworking of the beloved Imperial walker, as seen during the Battle of Endor, but here it comes with loose wiring and scratched paint. The colours are indicative of rust, repainting of old worn out parts and some battle damage, all achieved with coloured bricks and several stickers. The effect is really very pleasing and the walker stands at just over twenty five centimetres tall. All that it is missing is the red glow in the cocpit. The minfigs that come with this set just wonderful. Cara Dune, played so effortlessly well by Gina Carono in the show, is a really lovely minifig, although having a globally available minifig of your character must be exciting even for a movie star. Along with the walker come two raider pilots and then even Mando himself, in his dirty and mismatched armour, which is a little odd. By this point in the show, when he meets and briefly fights with Cara Dune, he already has his new Beskar cuirass of armour, complete in shining silver. So one has to ask why he is presented to us in the older colours of his armour that was destroyed by the Mudhorn in the second episode? Over all though, 75254 is a lovely set, even with the annoyance of having to apply stickers (which is a topic that takes on the additional needs of disability issues for me and my manky old lady fingers), rather than using printed pieces.

Set 75267, the Mandalorian Battle Pack is simple, cheap and rather pretty. This is a basic set with four minifigs, all in various colours of Mandalorian armour which may be different clans, with a small gun emplacement and speeder bike. The warriors are split equally male and female, but I have no idea which is which, due to the lack of lipstick, floral tops and flowing long hair, the usual key indicators used by Lego to show the gender split (stories of my subverting this by placing  the ‘male’ bodies with the ‘female’ heads, are very likely true!). Removing the helmets reveals an unprinted black head, which is slightly disturbing, but this is something that Lego had done for several years now.

The big set of this theme for 2020 has to be the fabulous ship used by the Mandalorian, the beautifully named Mandalorian Bounty Hunter Transport Ship… Oops yeah, it seems that somebody fucked up. Set number 75292, Razor Crest has in some cases been renamed following claims of trademark usage by another company, who just happen to make Lego compatible sets and some may claim have been guilty of cloning Lego sets without license. Oh dear.

I pre-ordered my set a good three months prior to release and thank the heavens that I did, because it was hopelessly delayed and finally cancelled three days after release and so I had to deal with Lego directly... during a pandemic outbreak... when every anguished parent with a Star Wars addicted child was no doubt screaming for their Mandalorian set too. Lego were hellishly busy and no doubt there were many like me, disappointed Amazon customers scrabbling to find the sets they had ordered weeks before. How many of those adults with debit cards were buying the toy for themselves though, remains a closely guarded industry secret.

When the set arrived, I was impressed by the actual size of the box which was huge and which my cat now uses for a bed! This was just the outer packaging used by Lego to ship the set, but the actual set box was still quite large and also beautifully printed, if surprisingly heavy.

Building the model was fun, even if there is a fair amount of repetition due to the chirality of the ship and the usual struggles with yet more bloody stickers! The engine nacelles are probably the least screen accurate feature, given the rough tooth like arrangement on the front intakes bares little resemblence to the smooth circular versions on the screen rendered ship. This is a tiny little complaint about an otherwise awesome model though. (I am just going to pause here for a moment. Are they really air intakes? Given that this is a spacecraft and it can travel at ‘light-speed’, why does it have these large open front intakes that resemble the compressor fan of a jet engine? Actually, that is a stream of thought that can only lead to sadness, especially with the roar of said engine as it flies across screen, supposedly in space, you know space. The place where NO ONE can hear you scream! But can hear if you miss a gear on your spaceship!)

Minfigs with this set are thoroughly cool, with our classic Mando himself, Din Djarin. He does of course have the child with him and the fidure of the child is adorable. This set also includes Greef Karga, a Scout Trooper and IG11… Um. Once again, this is a potentially confused set. Is this from the first episode or the last two? I don’t recall seeing the Scout troopers in the first episode so much, but they are present and a large part of the finale. Mando does of course have some serious issues with droids, having been orphaned during the Clone Wars, by a B2 Super Battle Droid (Speaking of droids and the Clone Wars, this does explain to me why when Luke and Obi Wan visit Mos Eisley, the cantina owner tells Luke that the droids are not welcome. It was a glaringly obvious issue that I never gave thought to, of course people would mistrust droids, the Clone Wars were a political tool used by a member of the elite, to secure their own power while creating political turmoil in which they could thrive and in which many thousands of innocent people lost their lives. I wonder if this was written to parallel real life, not that we have many examples of this in the real world), which is shown in heart breaking visceral detail during the several flashbacks we see. Again, this is just another element in this series that goes to such great depth to give the characters real heart. Anyway, back to my point, a part of his redemption was Mando coming to accept and even trust a droid, which he does with IG11, despite it being Mando himself who terminated the IG unit to begin with. So with a Scout trooper, IG11 and Greef Karga, would it be fair to say that with the child in hand, Mando should be in his silver Beskar armour? It would appear not and thus Mando is still in his dirty, rusted and damaged armour with this set. At some point they simply must release a set with him in shiny new Beskar, but maybe that will come with the release of Series two.

Over all, the sets released in this theme for 2020 have all been excellent and to an adult child like myself, well worthy of collecting, building and displaying… Because these are not  toys! They are valuable collectors pieces, future antiques and actually rather pretty. Which leads me onto my next section, how to display the models while making them look like something interesting and not just a pile of bricks. I had a space that you could have called a bookshelf, not a great space for books if I am honest, being slightly awkward and on top of my Lego desk. So I decided to fill this space with a Lego Diorama that measures one hundred and six studs wide and twenty four studs deep. It was a crap bookcase and my Lego books kept falling over or worse, falling off altogether to land on whatever I was working on at the time. The gloss painted finish proved to be be sticky, which damaged a couple of my instructions booklets and well, these are the issues you get when you design and build your own furniture, out of scrap wood and offcuts. Yes, the furniture is a bit mismatched in my office, but I made nearly all of it. Maybe one day I will do a show and tell.

The display started as a simple thing, a couple of enclosed boxes in which I could build a pair of scenes. My first scene was the Rebel Alliance looking at a hologram of the Death Star, while planning an attack on the technological terror. It is half based on Episode four with a dash of episode six. I added flickering lights and a large Death Star shell from the planets sets and stood back to admire my work. It was… OK-ish and sat like that for several months as I planned the next box and then what was to go above it.

With the release of the Mandalorian, I knew that the remaining box had to be the Covert, with the Armourer and her forge. I also knew that with the Razor Crest, I wanted some kind of scene above the covert to place both the ship and the AT-ST together, which while technically mixing a couple of episodes set on different worlds, could be seen in the soul of the show, rather than an accurate depiction of the Mandalorian itself. With the addition of some more lights it was all going so well and then I had to re-home Vader's castle, a task of Sisyphean proportions. 

Humour aside, I need a larger office. With my Solo, Rebels, Rogue One, Clone Wars, New Hope and final trilogy themes to my Star Wars Lego display, plus the collection of Technic lego so large it required specialist furniture to be built, I have run out of room. Vader’s castle is thankfully taller than it is wide and it fitted onto the shelf fairly well. It also took lighting effects really nicely and I was pleased with the results, in particular, the glowing hologram of the Emperor that appears in miniature in front of Vader's desk. However, it now looks like I have a nice castle, built on the edge of a run down city slum, with the sewers taken over by rogue blacksmiths and a group of noisy political activists. If any of you can spot the social commentary in here, well done you. Poor old Vader however can barely get any sleep, no wonder his mouse droid keeps leaping off the model and onto my carpet, it wants to escape for some peace!

So now that the office shelves are filled, what should I do next? Well actually, there are some things on the Razor Crest that I am not happy with, aspects that need some work to make it look a little better. First to go is that hideous hole in the top. Yes, it allows you to claw the pod out, but for display, rather than play, the hole is unacceptable. I made my own Moff Gideon (Using Winstone from Ghostbusters for the head and an Imperial Pilot body) and equipped him with a Darksabre. I added a pair of speeder bikes too, one for the scout that came with the Razor Crest and one for a scout that I added later.

I dread to think how much I have spent on this project, there is easily three hundred pounds in sets on my shelf alone, consisting of three large ships, one walker and a castle. There are also the various minifigs I bought from else where, such as the Rebel Alliance leadership and spare Mandalorian warriors. There are all of the lights, the wire and the switches, which cost about twenty pounds. It all adds up rather quickly and luckily for me, most of the Lego consists of bricks that I have collected over the years and a lot of those bricks were second hand.

Was it worth it? Yes it was. Not only was it a lot of fun to plan and build, but as a disabled person, it is nice to have a hobby that I can still manage and do fairly well. It is nothing like climbing a mountain, or wild camping with my mountain bike, but it stopped me going insane with boredom, especially during lockdown. Who knows what I can do next, but it is nice to be back on the technic and building actual gear boxes again.

[unpopularly-opinionated]

You know how Rogue One did a pretty decent job of adding some nuance to the Rebellion? How they weren’t this objectively pure and innocent band of do-gooders who took down the Empire with hopes and dreams? How they actually had to get their hands dirty sometimes, showing that war is messy, and no one is objectively good, at least not all the time?

I want a movie like that, but for the Jedi Order. A movie that really goes dives in deeper into just how badly the Jedi Order, and the Jedi Council in particular is. Showing how it’s a great start to learning how to use the Force for good, but that it isn’t all-knowing or objectively right all of the time.

While this story has been told before in the Clone Wars series, and it might be a tiny bit messy to set up in a movie, I really want a movie adaptation of the few episodes of Clone Wars about Ahsoka’s trial. It really does an amazing job at showing the flaws with the Jedi Council, and the Order as a whole, if only those bits were a bit more fleshed out.

Clone Wars spoilers below (I know it’s an old series, but a lot of people haven’t gotten into it yet and I highly recommend that you do if you’re one of those people)...

Semi-quick rundown of Ahsoka’s trial, in case you forgot or don’t care about spoilers, is that Ahsoka gets wrongfully blamed for murder, panics when they try to arrest her, runs away, seeks the help of known-terrorist and former-Sith Apprentice, Assaj Ventress to help her find and capture the real culprit, but gets arrested before they can find out who did it.

Then, the Jedi Council have to decide what to do with her, but because the person who was murdered was a prisoner of the Senate, the Senate tells the Council to banish her from the Order so the Senate can give her a trial instead, fearing the Jedi would be too lenient on one of their own and the Council actually goes and banishes her from the Order.

She’s raised by the Jedi, trained by the Jedi, and she fights alongside the Jedi in a war spanning across several years, and the moment she’s accused of a crime so far beyond what should be anyone’s expectations of her, they throw her to the mercy of the Senate.

Now, I know what you’re probably thinking, the Council’s been betrayed before in the past. Count Dooku probably comes to mind. He was Qui-Gon Jinn’s apprentice and then he decides to fuck off and become a Sith (ironically because he thought the Jedi Council would fail at keeping the peace), and you’re right, the Council is moderately justified to at least question whether or not she did it.

But that’s all the more reason to give her a trial within the Order, which they don’t do. It’s honestly baffling that they don’t do this, truly, like I’m so far beyond expecting the Council to make a rational decision, but fuck this should always have been their first decision. Give her a trial within the Council, determine whether or not you think she’s guilty, and if so then banish her and throw her to the Senate. If not, then convince the Senate to give the Council time to prove her innocence.

They quite literally fuck her over despite all she’s done for them, and when it eventually comes out that she was innocent they actually have the gall to ask her back into the Order and, PRAISE THE FUCKING WRITING IN CLONE WARS, she fucking refuses and it is fucking great. I absolutely loved the fact that Dave Filoni decided to go that route with her character and not give it some cliched “all is forgiven�� bullshit ending.

Now, obviously, converting this to a full-length film would have some challenges. Not to mention, half the reason it’s such a great series of episodes is because Ahsoka is, at this point, well and truly established as a character and all of her relationships to the Jedi, including Anakin. Obviously, we wouldn’t have any of that pre-established bits in the movie, which probably wouldn’t be great, but fuck honestly I just want a movie of this because it deserves one.

And honestly, even if it wasn’t about Ahsoka, I still want a movie about how fucking terrible the Jedi Order is. The prequels don’t do well enough to establish this, in my opinion. Yes, they fuck up and inevitably create Darth Vader, but I don’t personally feel like enough emphasis is put onto the fact that it was because of the inaction of the Jedi Council that led to Anakin’s fall. Often, their failings seem to get brushed aside by “the will of the Force”, or too much emphasis is put on the consequences of their actions, and not the actions themselves.

EDIT: Honestly, another great fucking part about the mini-series of episodes is that both Ventress and Barris (the Jedi responsible for the murder) throughout the episode point out that it’s 100% the fault of the fucking Jedi Order for basically every problem in the galaxy but yeah, no, it gets brushed aside because Ventress is a former-Sith and Barris is a traitor.

It’s very much a case of “cool motive, still murder” but like they’re fucking right and no one knows it.

EDIT 2: Yeah, I’m rewatching them as I’m writing this, fucking sue me, but fucking hell, man watching the scene where the Council asks Ahsoka back into the Order and listening to them all try and brush aside their fucked up decision by claiming “the Force works in mysterious ways” and “this was actually your great trial all along, this proves you’re a stronger Jedi than you were before” like holy shit man, this whole thing is fucked and thank fucking god they animated Ahsoka to literally cross her arms as a total “yeah I’m not fucking buying this shit you’re selling” before she tells them to fuck off.

EDIT 3: Now, I know Plo Koon says “you have our most humble apologies” but damn does it sure feel like the Council isn’t really apologizing, and the fact that it starts with Anakin apologizing which just has me asdhasfhasdka like you were the only one who actually fucking stayed on her side the whole time, you just couldn’t do anything cause you weren’t on the Council.

Like TBFH, I 100% believe that the only way I would’ve bought this “our most humble apologies” BS would be if Mace Windu or Yoda made the apology. While I’m sure they all know, love, and care for Ahsoka, it sort of feels hollow coming from Plo Koon because we know that her and Plo Koon spent a considerable amount of time together (I think he’s the one who found Ahsoka from the beginning), and obviously Obi-Wan and Anakin are close were her (albeit Obi-Wan couldn’t be more distant from her in this but w/e).

Honestly, it feels like when that kid at school beats you up and then the teacher apologizes for them, like yeah, no, that’s not how apologies work, but I digress.

[zforhire]

Flailing About A Distant Echo

@alexisvalarr asked me earlier this week if I was worried rewatching the never-finished reels for the original Bad Batch arc might make the new stuff less enjoyable. I didn’t think so, and today proved the answer to be a resounding “NO!”

My squee is under a cut for the sake of spoilers.

I was kind of hoping they’d keep the bit with the Padme nose art, but I’m so happy with what they gave me instead that I can’t even be disappointed. I loved the new scene so much!

At first I was laughing because the whole “We’re late for that thing” exchange just sounded so much like Anakin was trying steal Rex away for a quickie—and judging from his reaction, Hunter thought so, too. (And this is one of my big ‘I don’t NOT ship It pairings for the show.) But then all the dynamics that came out were beautiful. I love that Rex is emphatically In On It with Anakin and Padme, and all the gimmicks they have worked out; Rex’s signal, that Anakin went in with his helmet to make the “fixing his armor” excuse more believable. And I love how much the writers remember that Anakin’s a tinkerer in this show, because it’s one of my favorite things about him.

I’m so glad the secret Padme comm happened this episode, because last week I had the worst idea: given the outfit she’s wearing, and that we know there’s going to be some overlap with the eventual events of ROTS, I was really afraid that Filoni was going to make it some sort of on-the-way-to-Mustafar call. Instead it was just a nice, concerned couple-call. TCW continues to be the best couple writing they get, and the emotional animation on Anakin’s face in particular during that scene was really beautiful.

I also really loved the new way they used Obi-wan in the episode, giving him back a bit of the playful dialogue/relationships that we’re going to miss out on without the Crystal Crisis on Utapau arc. Plus that ending— “Did you at least tell Padme I said hello?” Wonderful! Such a great follow-up to the conversation in Anakin’s quarters from the Rise of Clovis arc, and a great lead-in for the “glorious day with the politicians” scene from ROTS. People have been asking cast members, at least, for years if they thought Obi-wan knew about Anakin and Padme, and I feel like that was Filoni’s fun way of saying ‘YES!’

I haven’t actually full-on cried yet, despite my joking about how I wasn’t going to stop once the new episodes started airing, but recovering Echo got me close. And thinking about the implications of what could still be coming only makes it worse. I’m also finding the smaller changes that they’re making really interesting.  Last week they went from Rex thinking they might’ve found the algorithm of Echo’s body (original version) to him immediately thinking “I think he might somehow be alive.”  For this week, in the original version, the Council rejected the rescue mission but Rex and Anakin said ‘Screw it!’ and went ahead anyway; now they just made sure to leave before the Council had time to give the official call.  I’m just so, so happy with these new episodes, and this one in particular!

[gffa]

ALL RIGHT THIS IS GOING TO BE LONG, BUT BEAR WITH ME.  I rewatched all of The Clone Wars recently and it was a great way to look at both the details of each episode and get a sense for the bigger arc, because I was watching them all at once, both The Wrong Jedi arc and the Protocol 66 arc, the latter of which I think is super important to the context of the former, especially because they are right next to each other in the course of the series. Here’s the thing that surprised me the most about this arc:�� Ahsoka immediately didn’t trust anyone when she was framed.  She instantly went on the run instead, she never tried to contact any of the other Jedi, not the Council, not even her own Master.  She immediately ran and never put her trust in anyone else.  I don’t know that this was the narrative intention, I would almost put money on that it’s probably not, but sometimes in writing characters when you’re true to them and how they would react, unintentional themes will rear their heads and be just as important. Now, she’s not necessarily wrong to have done this, because we’ll see Fives does trust in the system and he’s murdered for it anyway.  Would Ahsoka have turned out the same?  Possibly, she’s definitely not wrong about the system being stacked against her.  But ultimately its not her own efforts that save her, but Anakin’s investigating as her Master.  Possibly not, she doesn’t have a chip in her head that leads straight to Order 66 and Darth Sidious himself making sure she absolutely has to die.  Oh, he wouldn’t have minded, but it wasn’t his direct goal. Ahsoka has a right to feel wary, because Anakin didn’t go visit her while she was in jail.  Anakin’s right, they absolutely would have used it against her, it would have made her look even more guilty, and he was trying to give her the absolute best shot possible.  This is almost assuredly the same exact reason the Jedi don’t go visit her after she’s expelled, because they do protest the entire way and a huge point is made about how she needs to get a fair trial, that the Senate is forcing them to expel her so that the Jedi won’t be accused of not taking this seriously, because they’re in a war and sedition/treason is an incredibly huge deal. And that’s also the thing--it’s easy to say that they should have stuck by Ahsoka (and I don’t disagree, they don’t disagree, they directly apologize to her for all of this!) but it’s still true that the Jedi were absolutely railroaded here.  They worked to keep this a Jedi matter, but Tarkin and the Senate said that it involved the deaths of clones and Republic citizens, so she had to face a Republic trial.  This is brought up like four separate times over the course of the arc, that the Jedi do not really have jurisdiction here.  (And, yes, they did try to keep her there--that’s the whole point of showing Tarkin forcibly strong-arming them and saying what they believe doesn’t matter.  That’s the whole point of Mace saying, “Let’s hope we can keep her here.”) This is also why the Protocol 66 arc is so important--Shaak Ti practically breaks her back trying to get Tup and Fives to the Jedi and she is roadblocked at almost every single turn or else plotted against behind her back to literally kidnap them away from her.  She argues that they have jurisdiction here as Generals in the war, but the Kaminoans argue right back that the clones belong to them, and then the Chancellor’s office gets involved and there’s even less chance to get them to the Jedi, because the Senate’s involved now and what they say goes more than anything. Further, these two arcs are important as bookends to each other in two really important ways: 1.  Each of them has a moment where the fugitive is finally caught.  Ahsoka dives down into the lower levels of Coruscant to evade capture.  Fives makes his case to Shaak Ti, who says she’ll take this seriously. They both ask a Jedi to trust them, but one turns himself over and one goes on the run.  Again, who’s to say if Ahsoka made the better choice, because she is the one who lives, but Fives was basically dead the moment he started looking into this, no matter what.  The point isn’t the outcome, but more that the Jedi don’t just throw him to the wolves, they fight to take this seriously and fight to find out the truth.

2.  The cases against Fives and Ahsoka have some really fascinating parallels in that they’re both accused of a murder they didn’t commit (against Letta, against the Supreme Chancellor) and there’s footage of them running/seemingly attacking others along the way. This is important because, if you strip away the context of what we, the audience knows, Ahsoka looks incredibly guilty. There’s footage of her apparently choking Letta to death.

She runs away from the Jedi from the moment she’s set-up, even not trusting her own Master.  She refuses to turn herself in or even contact them to tell them her side of things. There are dead clones in the path she takes out of the detention center, which appear to have been killed by a Force-wielder. She’s seen working and escaping with a known Separatist terrorist--because they have no way of knowing that Ventress has broken with the Separatists.  Ahsoka herself says, in this arc, that she never saw her and Ventress working together, showing that it’s pretty hard to believe even when you’re in the middle of it, much less from the outside!

Eventually, she’s found and captured, while in possession of the very nano-droids that were used to blow up Jackar Bowmani in the Jedi Temple. If you take out the context of us seeing Ahsoka’s reactions and how she put these pieces together (which no one else in universe would know), it isn’t just the frame job that makes her look guilty, but that her own actions contribute to the way this looks from a distance.  The evidence that piles up is really damning, that it’s not just one or two coincidental things, but an entire case against her! But they know Ahsoka, they have to know she couldn’t have gone to the dark side like that! And that’s why the beginning of this arc has a line that’s so easy to miss but it’s so important:

“There are many political idealists among us.”  “But a traitor?”  “I’m afraid one can eventually become the other.  Remember Count Dooku and General Krell.  That’s how they started too.” This has already happened before, that someone they thought they could trust turned out to be capable of terrible things.  This entire arc cannot exist without the context of knowing that there is a Jedi in the Temple right now who is betraying them, that if Barriss had been in Ahsoka’s position for all of this, it would be entirely possible that she would have acted the same way from an outsider point of view.  And how easy is it for us, even knowing that she absolutely is guilty, before we watched the end of this arc, to go, “But Barriss would never do that!  I cannot believe she would have fallen so far!” It also cannot exist without the context of another important thing--and this was a deliberate detail put into the episode, as Dave Filoni comments on in one of the featurettes for this arc, how they deliberately had Anakin chasing her, because it was a moment of foreshadowing for Darth Vader to be chasing a Jedi down. Darth Vader looms over this arc in a way that deepens the context.  Darth Vader, who is right there and the Jedi are trusting him, too.  Trusting him to be impartial when looking into whether a Jedi was behind the bombing.  Trusting him to be impartial when chasing after Ahsoka: Mace:  “I think it would be best if Skywalker stayed here. Having you involved may actually make things worse.” Anakin:  “Master Windu, with all due respect, she is my Padawan.” Mace:  “The reason for you not to go.” Obi-Wan:  “I think we're being foolish if we take Anakin off this mission. Who knows her better?” Mace:  “He's emotionally tied to her. Probably too emotional to do what needs to be done.” Anakin:  “I'd rather capture Ahsoka and find out the truth then let her run because of a lie.” Yoda:  “You must prove to us that you will stay focused. Can you?” Anakin:  “I've already alerted security on the lower levels to be on the lookout for Ahsoka.” Yoda:  “Go swiftly then, Skywalker, and bring back this lost child before it is too late.” The point is that it’s incredibly hard to know who to trust, it’s easy to say with an omniscient point of view of the entire story and 20/20 hindsight, but they have concrete examples of people who have betrayed their trust before, so it’s entirely reasonable for them to recognize that someone else may betray them, too.  That talking to them and showing that you’re willing to extend trust, that you’re willing to do this with a clear focus, is what gains their trust.  And, yeah, for all that the context of Darth Vader is hanging over this arc, it’s also true that they’re right to trust Anakin in this moment.  It’s his actions that save Ahsoka and bring the truth to light. As a fun bonus, this is all while the Force is so clouded with the dark side that Mace already said way back in Attack of the Clones, at the start of the war, that their ability to use the Force is diminished.  The psychic stress that must put on them (as people who can feel the entire weight of a planet on their minds), that the normal non-psychic stress of being in a war that there are too few of them and they’re dying in it is already pushing them to their limits, including that the dark side is hampering their ability to cut through the fog, it’s reasonable not to blindly trust people.  Baby Darth Vader being right there is a giant neon flashing light pointing to this. They want to treat Ahsoka fairly, but she isn’t giving them anything to work with, because she doesn’t trust them, either.  Which is why I keep coming back to that line she says when she leaves Anakin and the Jedi, her reason for doing it: “Why are you doing this?” “The Council didn't trust me, so how can I trust myself?”

Earlier, she says, “I don’t know who to trust!”  Then she begs Anakin to trust her.  And ultimately she doesn’t know if even she can do that.  Because trust is at the heart of this entire storyline. The opening quotes reflect this very nicely, too: 5.19 – Sometimes even the smallest doubt can shake the greatest belief. 5.18 – Courage begins by trusting oneself. 5.19 – Never become desperate enough to trust the untrustworthy. 5.20 – Never give up hope, no matter how dark things seem. An interesting note from one of the featurettes as well is that, originally, Ahsoka was going to rejoin the Jedi Order and that was going to be that.  They changed their minds because the opportunity to do something else with Ahsoka was more tempting.  Which says to me that this wasn’t an arc about exposing a fundamental eventuality, but instead about a far more complicated situation. Again, Ahsoka’s not entirely wrong or right in the way she goes about this.  We can’t say for certain what would have happened if she’d trusted other people, all we can say is that she didn’t trust any one when she ran, that ultimately that she doesn’t feel she can trust herself by the end of it and Anakin was the one who finally cleared her name, not her own efforts.  That she shows incredible fortitude for not giving in to the dark side, even when she was isolated. By the same token, the Jedi aren’t entirely right or wrong in the way they go about this.  I do think they should have visited her, even though Tarkin would almost assuredly have used it against Ahsoka to make her look guilty, but to say that they just abandoned her and never tried to help her, that they totally betrayed her when she was clearly so innocent, that they never even said sorry--that’s incorrect, too. Both sides were right and wrong.  It’s easy for us to feel for Ahsoka because we love her and her goodbye is incredibly heartbreaking, it’s so easy to trust her when we’re shown all the scenes of how this connects together and we see her reactions, that the story trusts us to let us in on her side of the events that happen.  It’s so easy because she feels very vulnerable and she was a victim of a really shitty situation.  It’s so easy because this is an incredibly harrowing experience for her and she stayed true to the light through it, through her own resilience. But stepping back from those feelings, hard as it was for me to do, let me see that Ahsoka failed in some important ways as well as that the Council failed in some important ways and that's why she herself decides that she needs to go figure herself out on her own, away from the Council and even away from Anakin, who was the one that always believed she was innocent and trusted her.  Because it wasn’t just about other people, it was about her and her own actions. I had all of this put together just from watching these two arcs, but then I started watching the story reels, including, “In Search of the Crystal” where Obi-Wan and Anakin have a conversation about Ahsoka leaving and Obi-Wan says, “I will grant you mistakes we made but she chose to leave.  Part of the Jedi way is not letting emotion cloud your better judgement.  And that's precisely what Ahsoka did. Even in her most critical moment.”

Not too long ago I was watching the featurette for “The Lawless” where Dave talked about Obi-Wan (more in the context of how he cannot embrace the dark side) and how the events were written to show that he’s a true Jedi, that he sticks to the bigger themes of Star Wars, which that’s how Dave sees Obi-Wan. I was reminded of that, in that Obi-Wan is, for all that we give him shit about the “from a certain point of view” line, actually a really reliable narrator when it comes to emotion and how it can cloud a Force-sensitive person’s mind. Obi-Wan’s right, especially because it’s pretty easy to make the inference that he’s one of the Council who voted in favor of Ahsoka, that he believed in her, even as he recognizes that her emotions clouded her judgement.  Even in her most critical moment. And when I went back to do my rewatch of The Clone Wars and these arcs, that became a lot clearer when I stepped back from my own emotional reactions to how much I love her and think she’s an incredible, good-hearted, kind, and compassionate person.  Because even the best of people can be both wrong and right at the same time.

[force-dyad]

“Try for Some Remorse” A Look At Palpatine’s Role In Star Wars: The Rise of Skywalker

It has been said by many, including the creator: George Lucas that Star Wars is a children’s story. Star Wars largely encompasses themes of forgiveness, redemption, compassion, and hope. Dave Filoni himself has stated that “There’s a redemption for most characters– if not all characters– in Star Wars films and there’s an arc and a path to when they let go and stop being selfish.” This is an important read to have on the Star Wars franchise when going into The Rise of Skywalker because we can assume that Kylo Ren, the wayward son of Han and Leia, is on a path towards redemption. He and Rey are set to right the wrongs of the generations that came before them. My personal read of the story makes me think that we will get a happy ending where Ben Solo comes back to the light and his family. I believe he will be forgiven and given a chance at his new life, a life that Anakin was never able to live. So where does Palpatine’s ending fall in all of this?

Palpatine. Sheev Palpatine (as was revealed in the 2014 novel, Tarkin by James Luceno) is not a sympathetic character. He is probably one of the only characters that the majority of the fandom agrees will need to go in order for the Skywalker family (and the galaxy alike) to live in peace. His selfishness and need for power is Voldemort like in that actual human life is expendable to him. He only cares about one thing: gaining the most power. In the Rebels episode, “A World Between Worlds” it is revealed that whoever controls the world between worlds will control the very universe. In that same episode, our heroes, Ezra and Ahsoka, just nearly escape Palpatine in his quest to access the portal. This episode just reinforces how knowledgeable Palpatine is in terms of the machinations of the force, and highlights what his final game plan will be. Now that we know that he is back, corporeal or not, we can assume that he will attempt to use Rey and Kylo, to access this portal, given the magnitude of importance that the portal holds.

So we can assume that Palpatine will assuredly be back to his schemes of trying to control the Skywalker (Kylo) in order to control the Universe, given his track record of controlling the Skywalker (Vader) to control the Universe (badumtss). But I think he will have a different end than the one in Return of the Jedi. Darth Vader finally “murders” his master at the end of ROTJ, but The Rise of Skywalker trailer including his laugh at the end emphasizes that whatever happened in Episode VI was not enough to truly get rid of the phantom menace. According to George Lucas, the Sith cannot come back as force ghosts, so I don’t think that is how Palpatine will return. I can’t pretend to know how he’ll return, but I’m just crossing the force ghost option out due to the rules imposed by Lucas (though I realize that they can change at any time, but since a lot of the current Lucasfilm team worked under Lucas, I believe they’ll want to respect his vision). Whatever form of Palpatine that Kylo, Rey, and the resistance go up against will have to be defeated in a way that has not been attempted before. The traditional “final battle” will have to be subverted in order for Palpatine’s destruction to feel believable. If a murder is the simple solution to destroying Palpatine, the ultimate villain, then why was the sequel trilogy even made? According to Kathleen Kennedy, Palpatine was always a part of the plan, and I believe her, but like I’ve said, they’ll have to do something different. Before The Force Awakens came out, Kathleen Kennedy gave a quote “I think we can’t explore in quite as much detail issues of compassion, the way [Lucas] did in terms of the values of the Jedi. But we’re going to get there, let’s put it that way. In the arc of all three movies, that will increase.”

In Return of the Jedi, we see Darth Sidious egging Luke on as he fights his father, Darth Vader. Darth Sidious encourages Luke to embrace the anger inside of his heart, “Your hate has made you powerful, let the hate flow through you, and your transformation to the dark side will be complete” he goads Luke on to embrace his feelings of hatred, and anger to embrace the power of the dark side so that Luke could defeat Vader, but the true lesson that one must learn is that fighting is not the way to defeat your enemy. Rose Tico sums up all of Star Wars in The Last Jedi when she tells Finn: “That’s how we’re going to win. Not fighting what we hate. Saving what we love.” Luke proves to be the walking embodiment of that quote once again when he faces off against his nephew, Kylo Ren. Luke has blame to share with regards to Ben’s fall, and though he knows that he can not save him, he still goes to confront him to help save his family and the resistance. Since he is a force projection, he cannot use any offensive tactics against Kylo, nor can Kylo hurt him in any way. He bides time for the resistance to escape, while ensuring that his nephew does not kill off the resistance. Ultimately, Luke chose not to fight two times: against his father, and against his nephew. I think letting go of negative emotions and doing anything possible to protect people is the true way towards balance. Kylo Ren is not at that part of his journey (yet), but I think he is on his journey towards letting go. While Luke and Kylo’s confrontation on Crait was about saving the resistance on the surface level, I believe that the color of the salt going from white to red back to white during the course of their confrontation is symbolic of healing wounds, both Ben and Luke’s. While it’s not a light sided emotion to have anger, it is healthy to confront it. Maybe not in the way Kylo has done so far, but I believe that he’s on the journey towards letting go of his anger, resentment, and hatred.

This is where I believe the final confrontation comes in. Like I said, I think it would be too much of a retread if Kylo and Rey confronted Palpatine and it ended in Palpatine getting the chop via Lightsaber. The Last Jedi already showed us this through Snoke. Snoke tried to have Kylo kill Rey, but Kylo, in a grab for power and to save Rey alike, killed him with the Skywalker saber. Now will The Rise of Skywalker give us the same ending for the biggest bad of them all? I don’t think so because murder is inherently evil. In an interview with Bill Moyers, George Lucas said “…everybody has the choice of being a hero or not being a hero every day of their lives. And you can either help somebody, you can be compassionate toward people, or you can treat some people with dignity or not. And one way you become a hero, and the other way, you’re part of the problem.”

And the other way, you’re part of the problem. I believe that redemption for Ben Solo is inevitable, and I believe he will live and strive towards being a balanced individual for the rest of his life. That being said, I think that when he and Rey finally confront Palpatine, it’ll take a different route than Vader pushing Sidious down the reactor shaft. I do believe that Ben Solo will definitely resent Palpatine for all that has happened to his family because of his influence, but I think that it will end differently. Vader had to deal with years of Palpatine belittling him. From what we know, Kylo already had that type of relationship with a “master” aka Snoke and he already murdered him.

One of the reasons why murdering Palpatine will not work is because we have seen skilled force users such as Yoda, Mace Windu, and Anakin fight him (or throw him down a shaft), but he has gotten away each time. (I mean, maybe he won’t be in his old body in TROS, but I believe he, or maybe his soul, must have escaped somehow.) An ending where Palpatine is destroyed in the same way as ROTJ will lead to many questions for Disney like “So this is not the end of the timeline for the Skywalkers since Palpatine will probably be able to come back, right?” They have to figure out a way where the death of Palpatine will be believable and true to the message of hope and choosing the light, so that people don’t question it. (Remember: If you don’t see what happens to the body, anything is possible.)

This leads me into talking about how I think he will be defeated… Through compassion. Now you may be asking yourself: what? And trust me, I understand the hesitation…Sheev “Darth Sidious” Palpatine is probably the closest thing we get to the devil in the story.  J.J. Abrams referred to him as the ultimate evil. But there are many examples in children’s media that help inform how the end of the Skywalker Saga could go. Children’s media tries to teach us that murder is not the way to finish the evil. Specifically I want to talk about Voldermort and Lord Ozai from Harry Potter and Avatar: The Last Airbender, respectively.

In Harry Potter, Voldemort is the ultimate evil. He is He-Who-Must-Not-Be-Named. He’s someone that does not care about the humanity around him. He kills Harry Potter’s parents and attempts to murder Harry Potter, which is his ultimate downfall. In Harry Potter, there is a prophecy that says that someone will kill Voldemort but that “neither could live while the other survives,” but like all great stories, prophecies are not truly activated until someone seeks to prevent their fate. This ultimately leads to his defeat; but his defeat wasn’t as simple as Harry shooting the killing curse at him. During the final confrontation, Harry uses a disarming spell (basically a defensive mechanism). Harry tries to appeal to Voldemort’s humanity.“It’s your one last chance,” said Harry, “and it’s all you’ve got left… I’ve seen what you’ll be otherwise… Be a man… try… Try for some remorse…” Even through all the pain and horror and destruction that Voldemort has caused Harry Potter’s life, he still tries to appeal to Voldemort / Tom Riddle’s humanity, much like Dumbledore, who always called Voldemort by his given name. Appealing to his humanity is appealing to what Voldemort hates the most, as his number one fear is mortality and losing his power. Sound familiar? A Sith lives without love because they reject any emotion that will bring them closer to the light. A famous Dumbledore quote is: “Do not pity the dead, Harry. Pity the living, and, above all, those who live without love.” Pity: “the feeling of sorrow and compassion caused by the suffering and misfortunes of others.” Voldemort’s end is ultimately due to his own hubris and misunderstanding of wand lore. His own hubris brought him down, not Harry.

Another similar scenario is Avatar Aang in the series Avatar: The Last Airbender In this story, Aang must defeat the evil Fire Lord who has seeks to conquer through destruction. The previous Avatars all tell him that he must kill Ozai to bring an end to the war, but still Aang cannot. Avatar Aang is an air nomad who has been taught to respect all life, so the act of murder is something that he cannot come to terms with. When Aang finally confronts Ozai, he reiterates that they do not have to fight and goes on to use defensive moves against Ozai, avoiding the fire bender. It isn’t until he reaches his Avatar State (aka all the avatars join forces and he becomes all powerful) that he starts using brute force, but before he strikes the killing blow, Aang returns to his own body and stops it. In order to stop Ozai, Aang takes away his bending power, leaving him powerless.

Both of these methods have brought in complaints from fans. Why wasn’t this ultimate evil power attacked by the main protagonist? People found the final battle in Harry Potter to be anti-climactic since Harry uses his signature spell of expelliarmus, something that everyone from his peers to the Death Eaters (Voldemort’s followers) criticize and call him weak for using. With Avatar, it’s the same argument: where’s the death? But I put forth that these people should not be looking for destructive mechanisms in a children’s story. Those methods are always painted in bad light. We might think that that will be the true way to get rid of evil in the world, but as adults, we see things differently than children. One of the reasons why evil prevails is because of lack of empathy and compassion. It is foolish to say that evil will be defeated completely through showing those things towards evil people, but that’s the only way to defend the light.

I think Ben Solo showing compassion towards Palpatine is not at all about Palpatine getting a redemption arc. I think the only way for Kylo to truly heal is to let go of any and all anger. I would even go as far as saying that he will forgive Palpatine. Not because he deserves forgiveness or because of any true feelings of fondness towards him, but because letting go of the resentment and anger and grief that Palpatine has caused is the only way to truly move on. Kylo holding a grudge or attacking Palpatine in anger will not fix the force. I believe that through showing Palpatine some kind of compassion, Palpatine will go on a self-destructive path. This way, we’ll have a different way of defeating evil that ultimately shows us the reason why the sequel trilogy had to exist to fix the Skywalker story. It also shows us that we must choose the light in as many situations as possible and let go. The key to a happy life is being able to let go: of fear, of anger, and the negative emotions that led to two Skywalkers falling to the dark side.

Thanks for reading! And of course, thanks to BlindManBaldwin for posting the original post about Sheev’s role in IX + Compassion and for talking through this with me! Check out my podcast on it on Soundcloud, or wherever you find podcasts!

[kopykunoichi]

The Legacy of Star Wars: An Open Letter to the Writers and Creators of A Galaxy Far, Far Away

“Suddenly the Rebellion is real for you. Some of us live it. I’ve been in this fight since I was six years old!” ~ Cassian Andor

I saw a great meme once that played off that quote, meant to depict an older fan describing to a newer fan how they had been invested in the story of Star Wars from childhood. I could relate. Though I am not old enough to have seen the original Star Wars movies in theater, they were a significant part of my childhood. I remember renting the original theatrical VHS from our local video store all the time when I was little. Then we bought the digitally remastered Special Edition VHS Box Set and I spent the next decade wearing them out! We would have popcorn and Star Wars marathons all the time. My friends and I would always pretend we were in the story. My swingset was the Millennium Falcon. I was that 11-year-old girl who would argue with my friends over who was hotter - Luke or Han. (The correct answer is Han, of course!) My mother would read the Expanded Universe novels to me in the afternoons and we would talk about the characters. All my spending money went to Jedi Apprentice books and 6 inch action figures. In short, I loved Star Wars. 

I was 13 when The Phantom Menace hit theaters, and I couldn’t believe how lucky I was to get to see new stories from my favorite fictional universe play out on the big screen. Though I struggled a bit with some of the acting, the story was absolutely amazing to me. Star Wars felt all the more real to me with the amazing graphics and intense action sequences - not to mention the layers of politics and the complexity of the story. I watched Revenge of the Sith several times in theaters, and though it broke my heart to see Anakin’s fall, I never considered it to be a sad ending overall, when taken as a whole with the original trilogy. 

When the Clone Wars aired in 2008, I was ecstatic. Here was an Anakin I could actually get into (sorry, Hayden). I loved him. I adored Ahsoka. I wanted to marry Rex. The character development and the plot deepened my attachment to that era, and made me question everything I had previously taken for granted as good and bad. The whole system was flawed - the Republic and the Jedi. It wasn’t just a matter of mistakes being made and the wool being pulled over their eyes, there was deep rooted corruption in the side that I once felt was “good”. The light side and the dark side were not as black and white as I thought. I found myself strongly disliking some of the “good guys” and deeply sympathizing with some downright detestable people (I don’t know how you got me to care for Maul, Filoni - but well done). While the series had not yet ended, we knew where it was going. But still, we had already lived through the pain of Order 66, and we knew that the story would eventually culminate in a victory at the end of Return of the Jedi.

I couldn’t believe our luck when the first installment of the sequel trilogy hit the theaters in 2015. It had some of the feelings of a reboot, but I was beyond thrilled to have a series of Star Wars movies that I could now share with my children, as my parents had shared them with me. Though it was hard to say goodbye to the first love of my life, Han Solo - I just knew that Ben would be redeemed and Han’s sacrifice would be worth it...

2016 brought us Rogue One. We knew how that one was going to end too, but we still ate it up. I fell in love with a whole new set of characters, only to see each and every one of them die in the end. Talk about tragedy. But Leia’s line about hope reminded us that five minutes later, a whiny little farm boy was about to have his whole life upended in the best sort of way...so it was okay. Sort of.

Four years of Rebels ended in 2018, and it was so, so lovely - but it hurt so, so much. My perfect, beautiful space family had been torn apart with Kanan’s death. Ezra was missing. Rex was a 29-year-old man who should have been in his prime, but was instead struggling with the wear and tear of a 60-year-old body. Ahsoka was separated from him - AGAIN - and then she left with Sabine to look for Ezra. The ending still held the promise of the fight to come with the Empire, but the majority of our characters were left in a place of grief and brokenness.

2019 brought an end to the sequel trilogy. Once again, we had characters who pulled at our heartstrings, and an interesting struggle between “light” and “dark” that reminded me of the complexities introduced in The Clone Wars. It became more apparent than ever that balance in the Force did not mean the light triumphing over the dark, but instead a harmony between the two. At least, that’s what I thought. Until I watched every person I loved from the original trilogy die, Palpatine come back (and die) again, and the same exact ending of Return of the Jedi played out before me - except not as happy. Why? Because Anakin’s legacy had been reduced to ashes - his rise, fall, redemption, and sacrifice rendered null and void. The last Skywalker was redeemed and promptly killed, just like his grandfather. But because Rey Palpatine decided that she identified as Rey Skywalker, it was supposed to be okay. She then went to go hang out (or live?) alone on Tatooine because that’s where it all started. I was dumbfounded. This was the satisfying, hopeful, ending we were promised? How? 

Believe it or not, I’m not here to trash the sequels - I enjoyed them very much - right up until the last 20 minutes. But in that space of time, the entire legacy of the Skywalker family went up in smoke, and the legacy of Star Wars along with it. Since Return of the Jedi, there have been no happy endings to a Star Wars movie trilogy or TV show. And with the ending of The Rise of Skywalker, that one happy ending we did have was ripped from us as well. Star Wars is now a never ending series of tragic endings. The lessons we are left with: Don’t fall in love in Star Wars, it will end badly. Your actions ultimately result in failure. As soon as you turn good, you die. There is no balance in the Force, just a pendulum swinging back and forth for all time. 

Then The Clone Wars finally got her last season. I didn’t think Order 66 could have hurt worse, but Filoni set out to prove us all wrong...and succeeded. I’m still not over it. And once more, the bitterness I felt over the ending to the sequels (which had begun to subside) flared up all over again. What was it all for? All that pain. All that sacrifice. No happy endings. 

I still love Star Wars. Nothing can take that away from me. No amount of bad writing can change that. And there are still plenty of good writers and creators working on Star Wars content. But good writers spinning tales of tragedy and endless pain negates the power of good writing. The Star Wars of my childhood is not the Star Wars of today. We wore out those VHS tapes because we loved the stories and the people. But my kids are not going to wear out DVDs where everyone they love dies or ends up alone. They aren’t going to queue up those digital movies and series over and over - because who wants to subject themselves to that kind of torture?

Just about the only safe space for Star Wars fans right now is fanfiction archives where the people who love the characters are busy writing fix-it fics to squeeze some sort of satisfying ending out of the canon content. The Mandalorian is literally our last hope for a Star Wars story that has the potential to end well. I swear, if Din Djarin ends up dead or alone at the end of this series, I’m going to lose it. The overwhelming sentiment of the Star Wars fanbase - from original trilogy fanboys to Tumblr blogging Reylos, and everyone in between - is that of dissatisfaction with canon content (with the exception of The Mandalorian). So much so, that many fans are just saying “screw it” and churning out a myriad of fanfiction AUs because there is no way to salvage what has been written. Half of Tumblr is in therapy after The Rise of Skywalker ending and the last episode of Clone Wars - but they weren’t exactly stable to begin with. The other forums and social media platforms are not much better, though.

It’s not just about the quality of writing - because Filoni and co. have done exceptional work with The Clone Wars, Rebels, and The Mandalorian. It’s the tragedy, guys. We can’t take it anymore. Is this really what we want the Star Wars legacy to be? Sadness? Despair? It’s a story about war - people are going to die. I get that. Victory comes at a price, but the cost can’t be worse than the victory. I want to sit down with my kids and watch Star Wars over and over again. The Mandalorian has given us a taste of that - but I’m almost afraid of where it will go. We’ve been burned so many times, I’m beginning to know what Anakin felt like on Mustafar - writhing in agony and screaming “I hate you” to someone he once loved. 

I remember happier days when Luke and Leia and Han were laughing and smiling with their friends while Yoda, Obi-Wan, and Anakin looked on. I want that back. Filoni. Favreau. Creators. Writers. Producers. Directors. You are our only hope for canon content. Use The Mandalorian wisely. Use Din’s story to bless other characters. Here’s some ideas:

Let Din have a happy ending! Preferably with someone he loves and respects at his side (like Cara). 

Let Cara become a Mandalorian - and put Paz Vizsla in charge of her training (we need to see them spar).

Let what’s left of the Tribe establish a new Mandalorian colony - and let Sabine Wren lead it. And give her that Darksaber back - she earned it. 

Let Ezra come back from regions unknown with a deeper understanding of the Force, and have him train the child in the new colony. 

Forget the Jedi and Sith, let’s start a medical training center/hospital run by Force users who can help heal people when modern medicine fails! 

Ahsoka can use her talents for that too. 

Find the rest of the child’s race and bring any of their Force sensitives onboard. 

Let Boba Fett and Din have their epic showdown, but then use a sample of Boba’s unaltered DNA and some mystical Force healing to restore Rex’s body to what a 43-year-old should be (and then he can marry Ahsoka so we can have the Clone/Jedi couple we always wanted...thanks to you, Filoni).

Let the Mandalorians partner with the New Republic in the Outer Rim as law enforcement instead of bounty hunters, so they can get their reputation back. 

They can train new recruits and pilots, just like Fenn Rau trained clones. 

Let them keep their autonomy and traditions, while helping keep the New Republic honest.

Let them be a force for good in the galaxy, for once. 

The Mandalorian could serve as the vessel to give a lot of characters with unresolved or tragic storylines some closure and better endings. If not The Mandalorian, then other new shows. My 6-year-old daughter wants nothing more than to be Ahsoka Tano. My 3-year-old son asks me to watch The Mandalorian every day. My 18-month-old daughter walks around in her brother’s Mandalorian helmet babbling “Way”. Please let me share the Star Wars legacy that I grew up loving with them. Let me show them the happy endings I enjoyed. Let me show them that even in the midst of conflict, not every life has to be ruined. Let me show them a Star Wars story with a satisfying ending. Hope. Redemption. Love. That’s what Star Wars means to me. 

May the Force be With You (and your pens),

Rebekah, A Star Wars Fan

[shadowmaat]

30 seconds of pure, sweet hype followed by complaints, conspiracy theories and condemnations, plus retaliation against those complaints, devolving into an all out Us vs. Them war. Welcome to fandom.

Here are my thoughts on the SW animation projects:

I never watched Clone Wars when it was on. I’d lost interest in the prequels after TPM and never bothered with the rest of the media related to it. Now that I’ve gotten into certain characters and arcs I’ve gone back in and caught up on a few specific storylines, but I still have a lot of biases in the way that canon was handled, so I’ve never felt compelled to sit down and watch the entire series.

Rebels started off good but lost steam for me about halfway through. While there was still good content, some of the stories felt a bit half-assed and others were downright insulting. Characterization was, IMO, inconsistent, and it often felt as if characters like Ezra changed personalities based on what was required to get from Point A to Point B rather than structuring those stories around how the characters actually were.

Resistance is... ehh. Something set closer to the current timeline sounds interesting, but I’ve found that my ideas of what’s “good” and what Disney/Lucasfilm/Storygroup thinks is good are often very different things. I’m also unenthused by the proposed animation style, which is a pretty common complaint I have with a lot of modern animation and yes, thank you, I do in fact recognize that these things are not aimed at me/someone my age.

As for the announcement about new Clone Wars episodes, I believe my first reaction was “why the hell would they bother?” and then “Hmm, I could probably cull some interesting new material for fics from that” followed by “I wonder if this means they’ll fit in that Boba Fett storyline?”

I’m glad for the people who are hyped for it. I know the show didn’t get a chance to finish “organically” and that there were some big stories left untold, so I’m happy that fans will get a chance to get some completion. I just have a feeling that once again my ideas of what I want and, say, Filoni’s ideas are going to be in entirely different star systems. If Boba shows up I’ll probably be frustrated by what they do with him and I KNOW if Maul is involved it’ll be complete shit because I feel that Rebels proved they don’t give fuck all about Maul as a character and only use him as a plot device (kinda like how Palpatine used him as a means to and end, too, and never saw him as a person).

I’ve seen some conspiracy theories about how the ending of Rebels was rushed in order to clear the slate to make room for Resistance and/or TCW and honestly I can understand why folks think that. I’m not sure I agree with it, but I can’t fault people for thinking it and there could be a grain or two of truth in there somewhere. I am, however, a bit biased against Filoni & company. They’ve given us all a lot of great things, but IMO it’s also been a very mixed bag. I will, for instance, never forgive Maul’s final episode. That’s a case where things felt rushed to me but that’s also because an episode that was supposedly meant to be about Maul and Obi-Wan was really all about Ezra. Again. Maybe he’s contractually obligated to take up 98% of the screen time. ;)

Anyway! I will likely give both new shows a try. A crappy-to-me animation style can be saved if I like the story well enough, and I’m sure TCW will have stuff I can cull for fics. And it’ll likely have a few storylines I’ll feel compelled to “fix,” too. LOL!

[gffa]

Clone Wars EP Dave Filoni breaks down the first episodes of the final season [x]

It’s been a long journey in a galaxy far, far away, but Star Wars: The Clone Wars is finally back. After its unexpected cancellation in 2013, fans had a new hope for the revered series. At Star Wars Celebration in 2015, audience members got to see rough animations (story reels) of a few unfinished episodes, including a plot focusing on imperfect clone soldiers called the Bad Batch. Those episodes make up the first arc of the seventh and final season, which debuted Feb. 21 on Disney+. After the premiere of the first two episodes, EW spoke with Clone Wars and The Mandalorian executive producer Dave Filoni about bringing back the series — and a fallen friend.

ENTERTAINMENT WEEKLY: When you produced the first six seasons, the pace of production was pretty quick. But for this season, you had years to look back and reflect on the story. As you were looking to bring back these first few episodes was there anything you really wanted to go back and update?

DAVE FILONI: If you go back to the original series, what we put out in 2008, it's such a dramatic leap. But then you realize it's been 11 years since that show first aired, which is kind of striking for me that it's been so long. So there should be dramatic improvements, visually. I think that facial animation, the fidelity of the expression — things like that — we were able to improve in the animation itself. I really feel looking at this show now, it's kind of how >George [Lucas] and I envisioned it to look in the beginning. We just didn't have the tools necessary to actually realize it then. But over time with a lot of training, you know, like any good Jedi I learned my way.

One scene that's a little different from the original story reel of “The Bad Batch” is that it originally opened with a longer extended sequence between Mace, Anakin, Rex, and Cody. In the final version, you added a pretty touching scene between Rex and Cody talking about a lot of the fallen clones. What was the decision to add that scene in there?

I just thought the story was really dragging in the beginning. I felt like there was a whole lot of exposition, one too many scenes where they're saying what they're going to do instead of just doing it. And then I wanted to add a better sense of personal stakes to the story. You know, part of the consideration I had to make when doing this was, how do people even know who Echo is? I'm imagining a lot of people will just watch these 12 episodes and maybe not go back and watch the previous, you know, over 100 episodes where Echo plays a moderate role.

The Bad Batch are mutant clones who are new faces we meet at the top of the season. How did you go about designing the looks for these guys and also new clone hairstyles that I didn’t know were possible?

Yes, we always had this bizarre hairstyle trend with clones where they would pick ways to individualize. And the Bad Batch themselves, that was all right from George. He wanted to explore this idea that there were clones that were a little bit more unique from one another that were like a special forces unit that had enhanced skills. And so the trick for those characters is really making them feel special in what their abilities could be, but not making them superheroes. Wrecker should not be the Hulk, even though we love the Hulk and those types of stories. That's not what Star Wars is. So we had to keep it all kind of within the reality of Star Wars.

I loved the callback to clone 99 from season 3. Was that always the plan to call the Bad Batch "Clone Force 99"?

Yeah. That's where the idea kind of came from story-wise, was that, you know, 99 proved back in the original Clone Wars series to have greater heart and strength than some of the clones that were thought of better warriors, and Cody felt that that was worth exploring. And so he really lobbies the Kaminoans to take a second look at clones that they might deem different.

These first two episodes feature almost entirely clone troopers. Dee Bradley Baker voices all the clones — what was his reaction when he saw the script?

He has a unique skill where he's able to lend his voice to the individual nature of these characters. You forget it's one guy doing it. And I can tell you, it's exhausting for him. Being inside one character's mind is exhausting. And I can't imagine what it's like when he's in a whole squad of guys. And he's got to keep the energy up and he's got to keep the conflict up. And he's arguing with himself.

He and I over the years have had different ways to remember clones. When we were in the series we had certain words that would be like triggering for each of the clones — what their key personality was. The Bad Batch is a little easier, you know, because they're so different.

I think one of the coolest scenes that has ever come out of Clone Wars is the attack on the command center in episode 1 of this season. Do you remember plotting that out?

Yeah, that was really well-directed by Kyle Dulevy. George was always pushing us to think more in terms of what the live-action blocking would be and how a live-action film could do things. And that's where some of those longer takes that hand off action and keep with movement and feel more handheld and operated come from. It's the way to really put the viewer right in there, like you're running alongside the clones.

The way we do Clone Wars, there's no storyboards. So when we plan the scene like that, it's all virtually blocked in the computer. All the staging is done in a privatized system George created called Zviz, which is like a virtual blocking tool for directors. And you can put all the characters on the stage and then you can watch them play out the scenes like you’re watching the morning walkthrough of the rehearsal run, and then you can set up your cameras and so you can follow everybody. There's this virtual camera, and you can tweak the timing to get it to be really perfect.

The animator, Kyle, and his team were really proficient at using it. I know exactly the shot you're talking about. The way I look at it in my mind is that the Bad Batch arc is the most authentic to the way I think Clone Wars was back when we did it. Yes, we improved the animation. We improved the rendering. But it's very much something that we had shot. It's pretty authentic. The middle arc is more of a halfway point, where we tweaked it and we worked on the script quite a bit, but it's still the relative idea of what we were going to be doing cinematically. And then the end is really something like we've never done before in Clone Wars — because it’s the end.

It was so great to see Echo again despite the circumstances. When he seemingly died in the Citadel, did you know then that you wanted to bring him back later?

No, ha. That [death], really more than any of the other ones, we all kind of noticed that people were like, “Oh, man, Echo.” And we thought it'd be interesting that the Techno Union — a creepy bunch of guys on the evil side of things — maybe there's something to be done there. So we started to hatch a plan for if that would even be something that's possible. But it wasn't top of mind when we did the Citadel arc.

Another difference between the story reels in the second episode was this new scene about Anakin slipping away to call Padme, which I thought was a pretty illuminating addition.

When I looked at these 12 episodes, there was no Padme in them, and that seemed like a really huge oversight. That was never the plan, because there were more episodes planned, but we ended up doing these 12. I just thought that was really unfortunate. I talked to the actress who played her, Cat Taber, and I think it was a bummer for her because she'd been so involved in the series over the years.

And again, [this new scene] is important to the story and for people that might be walking into Clone Wars new. Having a scene with Padme actually interacting with Anakin was a very important moment. It also shows people where they're at in their relationship. It shows that he goes to her for advice, that she really gets the relationship he has with Rex, that she needs to remind him that actually that was going out on a limb for him, so maybe you should take it on faith and go on this limb for Rex. And also that she has a big influence over Anakin still and that he trusts her. And it also hints at the timeline. And that's always a tricky one, I think, because you as the viewer have to remember that at this point in Star Wars, we know way more than the characters do.

To be honest, I'd worked so much on Rebels, I had to go back and reread and watch a whole bunch of the Clone Wars era just to turn my brain back on. I had to upload a whole bunch of information to my drive because, you know, I guess I'm getting old and losing some of it, but it came back in time.

You posted an intriguing Instagram last month. It was a picture of Gandalf and Ahsoka. And Gandalf says, “People thought I was dead, too. Look how that turned out…” And, you know, a lot of people assumed Asoka was dead because we hear her voice in The Rise of Skywalker. Are we going to see her again?

Well, you'll see her in Clone Wars if you watch these 12 episodes. [Laughs] I told the truth! I had an answer for once.

Was there anything that you learned from working on and directing in this first season of The Mandalorian that you were able to apply to this final season of Clone Wars?

I think a lot. Working with Jon Favreau has been another extension of my education. There are a lot of things that George had taught me over the years about live-action, and finally here I was in a place where I could apply it. And I'm so fortunate to be working alongside Jon as another mentor and someone who is very experienced to help me through the questions and the challenges that you have in a different medium.

But yeah, it definitely affected me as far as looking back on the Clone Wars with different eyes and saying we could tighten this up, this could be better. You know, some of the things I learned from Jon about just keeping it moving and heightening and transforming things as we go. He brings a great perspective, and one that I've really never had as an actor to every scene and the emotions and the character. And so I've learned a lot from him in the past year about hopefully improving our performances and relating to performances.